Auditorium Furniture Design

In the pandemic, Philadelphia

Have been trying to figure out how they will make a living; how do you act for 300 people in an age away from society?

After brainstorming with dozens of creatives and administrators, they came up with a solution that combines old and new technologies. The plan is led by set designers Misha Kachman, Sara Brown and Matt Saunders, and combined with the opinions of video designer Jorge Cousineau, the plan will return to old-fashioned theater design (I’m talking about William Shakespeare’s Globe, about 1599)

.

Regarding how to attract an audience of the same size before the pandemic, this is where modern technology intervenes:

We hope to carefully install about a dozen cameras in Wilma Globe, each with a unique camera. Some of them can take care of the big picture, while others can be as small and specific as a camera hidden in an actor's costume. When the director is rehearsing the performance, the video designer will make a "video script" of the work, allowing us to play high-quality, artistically planned scripts. In this way, we can open our work to more potential audiences.

The Wilma administrator hopes to prepare the Globe by the end of 2020. If you want to donate, they are seeking advance ticket sales and donations

.

I am a negligent industrial designer. I was born in New York and thought I would die there, but a few years ago, I abandoned New York and lived with my wife on a farm in the country. We have six dogs.

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Blockbuster like this

with

Due to the shift of streaming media, theater performances have been postponed, and theater performances have been weakened. This century-old ceremony faces an uncertain future.

The coronavirus is disrupting the film business—weakening box office revenue and accelerating the long-term showdown between Hollywood and Silicon Valley.

Once upon a time, a few large studios spent billions of dollars to produce movies, marketed these movies and distributed them to theaters around the world. But in the past two decades, with the proliferation of content and delivery devices, the old approach has changed.

Then, more than a week ago, COVID-19 began to spread widely in the United States.

-The industry is turned upside down.

The first thing that happened was that a bunch of blockbusters were moved:

Disney’s latest Marvel superhero adventure is

Released from May 1. Before that, Disney has news

Originally scheduled to be released on March 27. Same as above

That is

From April 10 to the day before Thanksgiving; Paramount’s

; 20th Century Studio

; And Universal

,Newest

Franchise. It is estimated that the combined box office of these films will exceed $1 billion.

A film studio executive said, “For movie theaters, this is a comeback year.” “AMC, rich people, companies like this, they are in big trouble. Because of the streaming function, we have The people watching at home set the dining table, but now we are in a situation where there will be no major movie events until the end of May. What will the theater do?” The executive pointed out that when the market rebounded briefly on Tuesday, Cineworld, which owns Regal, continued to fall.

An AMC spokesperson declined to comment.

The partners of Emagine Entertainment are optimistic about the long-term. The company has 25 theaters and nearly 300 screens in Michigan, Illinois, Minnesota and Wisconsin. Goldstein said: "I think we all agree that this will lead to a recession." "Whenever there is a recession, whether it is in 1987, 2001 or 2008, the box office in the second year will grow by double digits."

In order to indicate that everything may not return to the state before Corona, Universal Pictures will release its animated adventure comedy on April 10.

In the theater (assuming all theaters are still open)

-Close the so-called drama window.

Over the past few decades, as the amount of content has exploded, and content delivery has moved from theaters, TVs, laptops to iPhones, the dramatic window (time from box office release to home delivery) has shrunk. According to data from 1997, the average performance time in theaters is 5 months and 22 days.

From the National Association of Theater Owners. By 2019, it has fallen to two months and 21 days.

But that window is still valuable. According to data from the Motion Picture Association of America, last year $11.4 billion was

At the box office. The studio took on 60% of it. The rest go to movie theaters. According to Goldstein, movie theaters usually make money at the box office, selling popcorn and soda.

With the coronavirus, many theaters have closed. Those who are still open must somehow attract those who are not afraid of getting sick and who don't mind watching old movies. ("

well. "Goldstein said."

Always bring the crowd. ")

The biggest question is what will happen in the studio.

The entertainment finance professor at Loyola Marymount University predicts that when COVID-19 finally subsides, people will return to the cinema. Offenberg said: "The theater window has been closed for years, but it hasn't happened yet." "Consumers still like going to the cinema."

Served as executive vice president of creative strategy and research for Universal, and established Pool Party Creative in 2019. The company produced stage ads for customers such as Amazon and Hulu. He said that the old model must adapt to the changing market.

The studio has invested hundreds of millions of dollars in the production and marketing of blockbusters. Tech giants such as Amazon and Apple, which have relatively new entertainment businesses, focus on creating an entire content ecosystem, charging subscribers a monthly access fee.

So far, the two companies seem to have mastered a mix of entertainment technology: a technology company engaged in content production, Netflix and Disney. With the launch of Disney+, Disney became the first vertically integrated studio since the Supreme Court ruling. One, in 1948, the studio was unable to produce content and was unable to control the distribution of that content.

This mixed configuration (and way of thinking) indicates what is about to happen. Byers said: "We will experience a huge cultural domino effect across the industry."

Privately, many film industry executives want to know whether studios that have not been acquired by companies like AT&T or Viacom are capable of this top-down reorganization.

Sony Pictures' experience in 2014 foresees many changes that will happen to the coronavirus in the film business

There are about two reporters (by

Recruited by the Central Intelligence Agency (CIA) to assassinate North Korean leaders

The movie aroused Pyongyang’s anger,

Oppose US retaliation. (It is widely believed that North Korea’s attack on Sony Pictures was retribution for the film.) Sony chose not to release it in theaters, but to release it.

Play on Google Play, Microsoft Xbox and YouTube.

with

Although I cleaned up all possible box office receipts, I still managed to break even.

Co-founder of Kernel, a start-up company hired by Sony to watch videos for viewers willing to pay $5.99

Thanks to Sony for minimizing the friction between contact and purchase.

For movie theaters struggling to survive with shrinking windows and today's coronavirus era, easy home viewing may still be bad news.

Goldstein of Emagine Entertainment did not back down because of this. He said: “There are 60,000 movies out there. If you know the content and can curate for people, then we are different from streaming services.” He added that there are now some Emagine theaters, including throwing axe and 30-seat private screening room and other facilities. And, of course, they are very focused on maintaining virus-free features. "We have disinfectants everywhere," Goldstein said. "Our concessor puts on gloves. We are doing our best."

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Not a person who sits still. Even on the phone, I could hear him moving around, and as he became more energetic as he talked about his most exciting project, his words jumped one after another, barely breathing. Naturally, the demands of the pandemic are not so easy for him.

"It's crazy, I always go out to take pictures, so when I should be inside?" He stopped, unable to describe the exact feeling, just groan-laughed in pain.

But he is still in the process of trying to record the artist. Recently, Adam filmed a trailer, and behind the scenes

The latest version of "Lonely", before that, the photographer was shooting scheduled for

"Runnin". Perhaps the most well-known portrait in his portfolio so far is Juice Wrld, which was chosen as the cover of the rapper’s After Death album.

He entered his photography career in a certain round-trip way, first as a graffiti artist, and then as the founder of the now closed clothing brand Pardon Le Dopeness. During the turbulent period of his teenage years-"a lot of trouble; as he described it-a constant bunch of things was his closeness to the rap and hip-hop scenes in his hometown of Toronto. The love for music and the creativity behind the sound The admiration is almost doomed. 

This 31-year-old young man recalled some famous people such as

,

with

As they passed through Toronto, this connection inspired him to attach importance to art. However, it was Pardon Le Dopeness who transformed it into photography.

"Then I got hooked on it," Adam said. "This is its speed. Just like graffiti, I can complete it in a minute. I started with digital technology, but because I hate editing, I quickly entered the field of film. Like, how can I make this process faster? Movies are the fastest way in my eyes and the most authentic way of all my research. If you don’t make movies, you won’t really understand light. So I started to study light, which really allowed me to enter the field of photography."

This obsession will eventually lead him to

. Then, the creative director connected him with producer and songwriter Benny Blanco. After retiring from the tour and spending some time in New York to find inspiration again, Adam and Blanco stumbled across a road, but Adam lost contact with the producer.

"The beginning of the relationship is like

", Adam explained. "Any bad things that might happen to this relationship have happened. " 

After leaving New York for Los Angeles, Adam decided to use a little bit of information he still knew-Blanco's address to re-establish contact. Later, while riding at Uber, Adam jumped over Blanco's fence and left a large painting on the manufacturer's driveway with his contact information on the back. Fortunately, Blanco's maid was there and took the artwork from the photographer. Adam is still not sure whether Blanco received the work. Nonetheless, two weeks after the half-interruption and entering the event, Adam was singing in a chorus with Blanco on the covers of singles, including Halsey and Khalid's "Orient." 

"If I want to give someone any advice, then do everything possible — don’t overdo it, you know, but do everything you can to attract people who want to work with. I work with a lot of people, but really Few people are inspired. Because [Blanco's] is really about art, and that's what inspired me."

When Adam is taken to shoot the trailer and works behind the scenes of Bieber's single "Lonely", the relationship between the two will be productive again. Bieber's streamlined ballad lyrically shows the star of his youth. This loophole resonated with Adam.  

"For me, when I enter there, my only goal is to do the best possible job for this person: how can I make this important, and then be able to promote it. Therefore, in In this project, for me, the biggest selling point is the whole mental health problem. This is just a very personal song, and this is what determines the project."

Like many others in the creative field, this pandemic made Adam’s future plans uncertain. Even working now may be a torture once and for all: Adam described that after 15 days of self-isolation for the Bieber project, he almost lost his mind, only because of travel and visa issues that delayed the shooting date and required another round of self-examination and isolation. 

But the slowing down of life did not stop his ambitions. He still has plans for his first solo gallery exhibition, the Atlanta project is in preparation, and his photo album

On the way. Not to mention isolation, which provided him with a wonderful excuse to start making music, with the help of his young Toronto producer who did not want to be named. He devoted his efforts and dedication to the artists who worked with him this time.

"I think my whole world has changed," Adam said. "When I work with clients, my only goal is to help them create a world around their ideas. But now, it is this way of thinking that creates a world around me. More importantly, it makes me an artist ."

-Monica Lewinsky of the pandemic

-why

Won't spend christmas with the queen

-A book critic learned by reading

—How about Gisland Maxwell

For Jeffrey Epstein

-More details appear next to Prince Harry and Prince William

-track

The arrival of the Bohemian era

— From the file: The Mystery of Princess Diana

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Maybe it's not time to send Americans to the movies

even

?  

Last weekend, a new movie released in American theaters earned $4 million at the box office. It is displayed on about 1,823 screens,

, Making it the first widely released version in the United States since the beginning of the COVID-19 pandemic. Movie is

, A

Starring

In the process of hunting down a woman and her son, as a raging murderer, killed many people. Therefore, restoring the most precious American pastime is not the dumbest way, but it is at least something. Although the United States lags behind many other countries under a certain degree of control, this vague return to normality still exists. Anyway, for some people. 

Cinemas-at least some of them-are already in

: New York, California, New Jersey, North Carolina, Maryland and New Mexico. The first four are densely populated, which means that even if some people predict the recovery of the film industry, the film industry still suffers a huge hit at the box office. Of course, even in states where theaters resume operation, there are still many people who are still unsafe to return to such public places, preferring to stay at home and continue to ingest seemingly unlimited streaming content, rent on demand, and broadcast television. 

Part of me wants to be excited about movies that are shown in the traditional way again. Well, to be honest, part of me is

Excited. Like many other seemingly milestones in this unattainable experience, the release of the film seems to herald a certain progress, a certain feeling, even if it is not nature, that it is healing. But what I think is more of people around a sick country marching happily to see

, The authenticity of things collapses, as I saw when I was walking nearby, there are so many people enjoying food in restaurants with outdoor seating. I am eager to join them, but stop myself. I have always believed that this is real and permanent. We have tried our best, but in so many unknown ways, we seem to have not done so. 

If I don’t want to go to the restaurant or go to the movies when the New York theater is open for safety reasons, then I don’t know that I will be morally harmed in watching movies, and I don’t know, which provides people with tacit encouragement to let them Go to see things and see where it is still dangerous? 

This is where I find myself in trouble, for example like

(Does not discriminate critics in any capacity) and huge

(Only shown in theaters for reporters; no links allowed) Enter the United States. In grand plans, even on a small scale, this dilemma doesn't make much sense. People always see things when they make decisions, without the indiscretions of critics, in fact they often ignore them. But as everyone learns to adapt and try to adapt to new realities, it turns out that it is difficult to know when to recognize the recently invented paradigms. Not only will these paradigms inevitably change, they will eventually prove to be harmful. 

In the first few months of the closure, the situation became clearer, when I was able to help motivate people to stay home by pointing out various disturbances in some subtle ways.

, Or

Or glowing demon

-This will help to pass their indoor time. Or, sometimes, I can highlight

It is worth staying at home even in the healthiest times. However, inevitably, the audience has become more and more bored, restless, and more and more anxious. It now appears that at least a considerable part of them have exhausted all isolated routines and are ready to go back in time. Life. I can't blame them. I have a common impulse. But this shift has brought a strange, troublesome potential new use to my work: to help shape a narrative that is increasingly compelling and repulsive. 

The first thought should be the employees of the cinema. Generally speaking, they are not well paid or insurance, but now they not only take on the work they signed, but also take the huge responsibility for maintaining health and safety themselves and their customers. Many people need and want to start working again because our government has failed to provide them with the safest basic financial resources. (Not to mention always providing meager compensation and eternal respect for service personnel in this country.) For this, I have seen people make just assertions and return to the film industry to support these workers and provide them with pay. Opportunity. I know the reason there. However, the symbolic meaning of asking people to risk their lives to serve the country’s revitalization is one of the toughest demands placed on some of the country’s least entitled people.

This tricky topic has always been

versus

. Of course, hands-on are the product of a greater culture of uncertainty: since there is no centralized guidance on how to respond to the changing circumstances of COVID, we just need to worry about ourselves and negotiate with ourselves and the immediate community. Smaller conversations and the resulting decisions will help, but we still suffer without a unified mind. This direct transmission to entertainment venues is a necessary and benign transfer that will only make us go straight to further disasters. 

In a sense, this critical juncture came in summer, which is very gratifying. At that time, most of the movies were big and silly. Without direct sensory enjoyment, they would not have much impact. It will be easier to give up these things in the context of a sense of responsibility. I believe that (perhaps naively) large film studios can absorb the loss, and these films will find us in some way. It may be more difficult to watch smaller, more conspicuous movies (for example, autumn), and they just fall by the side of the road and disappear. On the other hand, it's really hard to resist the temptation of being big, stupid and without consequences, and another option is the constant crowding of houses. We can't share the excitement and transportation as we did in the past. 

I am very eager to have this kind of experience again, which I love more than most things in life. Over the years, part of this joy has been spread (and reiterated). It's exciting to recommend some good things; to defend something that needs attention; and sometimes to warn people away from things that are not worth their time and money. But all of these, which are of vital importance to me, must occupy second, third, and fourth place in the basic well-being of the people who make up the most important part of the film industry (theatre workers and movie audiences). 

Maybe this is why I have to review the long-term apologies

When I can, although I hope that no matter what book I write, or any book written by anyone, I can do it without the slogan, "Hurry up and see." There must be more caution than the United States, because we all Everyone may be immersed in the brilliance of IMAX movies, in which time is lucky. This promise of escapism is irresistible. But this is only a real escape, if it can't help us further into the absolute and extremely real situation, there is no easy way out.

—

Peter Lenkov, Chairman of CBS Showrunner

—Sarah Cooper (Sarah Cooper) to Donald Trump (Donald Trump)

-One

In the TV series that will anger Trump

— Netflix

Scratch the surface only

—Olivia de Havilland's way of learning

At the Oscars in 1940

—See Ryan Murphy and Sarah Paulson's "Ode to the Idol":

— From the archives: Olivia de Havilland's interior

Sister Joan Fontaine

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The performance must continue, but a little bit

It was staged last Friday from the 128-year-old Berlin theater Schiffbauerdamm

In 1928, it closed after the end of World War II and then reopened in 1954 as the seat of the Berlin Ensemble of Bertolt Brecht. The company is expected to return to the board of directors on September 4.

The audience will notice some major changes. For starters, a lot of leg and elbow room. 500 of the 700 seats in the auditorium have been removed. Most of the remaining seats are in pairs, some are single. "We can just block up the seats, or just line up the whole row, but it looks horrible," the art director

Said.

All seats will not be too close to the stage to avoid keeping a safe distance from the performers. In addition, some doors of the auditorium will remain open to maintain air circulation.

It is worth noting that all performances will not be interrupted. This is to avoid suffocation in the lounge during the typical sudden peak period. Although this may make more people need to sprint to relax during the show, the gaps in the seats may be much less distracting than the usual compact seats.

The programming timeline is not yet clear, but the report does indicate that the previously planned version

Activities involving a lot of "kissing and licking" have been cancelled.

If you want to know how the Berliner Choir plans for the fall when the number of seats has been drastically reduced (and importantly, the ticket price has not risen), and so many American producers have completely

,

Provide detailed information about German art subsidies.

—Prince Harry’s

: According to reports, the former Royal is a little sad in Los Angeles

—Astronaut Jessica Meir (Jessica Meir) returns

-Can the new book be finally resolved?

Between Meghan Markle and Kate Middleton?

—This is what the Swedish chef learned while keeping them

-even

Think we live in Stephen King's book

-Pandemic

However, relaxation can

— From the archives: the lonely heir, from the inside

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